MARI ROMARHEIM HAUGEN

BA, MA, PhD

I work in the field of embodied music cognition and am particularly interested in music and motion correspondences in rhythm production and perception. I am also interested in the importance of implicit learning, subjective human experience, and music-cultural background as influential elements in music perception.

PhD and MA in Musicology from The Department of Musicology, University of Oslo (N).

BA in Rhythmic Music and Dance Education (4 years) from The Royal Academy of Music (DK).

I have worked at the RITMO Centre for Interdisciplinary Studies in Rhythm, Time, and Motion and participated in the TIME (2017-2021), MIRAGE (2020/2021), and DjembeDance (2023/2024) projects at the University of Oslo.

PUBLICATIONS (SELECTED)

Many of my publications are available in the Digital archive of the University of Oslo (DUO)

Ph.D. thesis

Haugen, M. R. (2016). Music-Dance. Investigating Rhythm Structures in Brazilian Samba and Norwegian Telespringar Performance. (Ph.D. thesis) University of Oslo, Oslo.

Articles and Book Chapters:

Haugen, M.R. (2024). Musical Meter as Shape: An Embodied Perspective on Metrical Trajectories and Curves. In: Jensenius, A.R. (eds) Sonic Design. Current Research in Systematic Musicology, vol 12. Springer, Cham.

Haugen, M. R. (2023). An embodied perspective on rhythm in music-dance genres. In Wöllner, C. & London, J. (Ed.), Performing Time. Synchrony and Temporal Flow in Music and Dance.Oxford University Press.ISSN 9780192896254.

Haugen, M. R. (2021). Investigating Music-Dance Relationships. A Case Study of Norwegian Telespringar. Journal of music theory, 65(1), pp. 17- 38.

Haugen M.R. and A. Danielsen (2020). Effect of tempo on relative note durations in a performed samba groove, Journal of New Music Research, 49(4), pp. 349-361.

Haugen, M. R. (2016). Investigating Periodic Body Motions as a Tacit Reference Structure in Norwegian Telespringar Performance. Empirical Musicology Review, 11(3-4), pp. 272-294.

Haugen, M. R. and K. Nymoen (2016). Evaluating Input Devices for Dance Research. In: Kronland-Martinet R., Aramaki M., Ystad S. (eds) Music, Mind, and Embodiment. CMMR 2015. Lecture Notes in Computer Science, vol 9617. Springer, Cham. pp. 58–70. (PDF - post print)

Haugen, M. R. (2014). Studying Rhythmical Structures in Norwegian Folk Music and Dance Using Motion Capture Technology: A Case Study of Norwegian Telespringar. Musikk og tradisjon (28), pp. 27–52

Haugen, M. R. and R.I. Godøy (2014). Rhythmical Structures in Music and Body Movement in Samba Performance, In Moo Kyoung Song (ed.), Proceedings of the ICMPC-APSCOM 2014 Joint Conference. College of Music, Yonsei University. pp. 46–52.

MARI ROMARHEIM HAUGEN

BA, MA, PhD

PhD and MA in Musicology from The Department of Musicology, University of Oslo (N).

BA in Rhythmic Music and Dance Education (4 years) from The Royal Academy of Music (DK).

I have worked at the RITMO Centre for Interdisciplinary Studies in Rhythm, Time, and Motion and participated in the TIME (2017-2021), MIRAGE (2020/2021), and DjembeDance (2023/2024) projects at the University of Oslo.

PUBLICATIONS (SELECTED)

MARI ROMARHEIM HAUGEN @

University of Oslo (UiO)

Cristin

DUO

Orcid

Academia.edu

Researchgate

Google Scholar

LinkedIn